![]() Years after release, Hard Normal Daddy has been acclaimed by critics. In December 1998, Alternative Press ranked Hard Normal Daddy at number 54 on its list of the 90 best albums of the 1990s. The Wire named it among the best albums of the year. NME placed Hard Normal Daddy at number 34 on its list of best albums of 1997. Writing for NME, Andy Crysell noted Jenkinson's "passion for jazz that separates him from that other most weirdy and beardy of dance warriors" but called the album "schizophrenic", expressing frustration at its "high-velocity experimentation" and perceived emphasis on virtuosity. In a contemporary review, Muzik critic Rupert Howe praised Hard Normal Daddy as an album of "style, wit and crafty ingenuity", albeit one that "isn't always quite as clever as it would like to think it is". Hard Normal Daddy received positive reviews upon release. Reception Professional ratings Review scores A single was released for the album for the track " Vic Acid" on 31 March 1997 by Warp on compact disc and 12-inch vinyl. It was released on compact disc, double vinyl, cassette and digital download. Hard Normal Daddy was released by Warp on 28 April 1997. The packaging artwork has a note of dedication to the Chelmsford rave scene. In late 2018, the gas holder was demolished, over twenty years after the release of Hard Normal Daddy. Given a camera, Jenkinson took photos of various locations in the town, including sheds where illegal raves were held and the local park, which are depicted in the CD packaging, as well as a run-down gas container that features on the album cover. Clayton encouraged Jenkinson to again take inspiration from Jenkinson's hometown of Chelmsford, which had also inspired the artwork for Feed Me Weird Things. The album art for Hard Normal Daddy was designed by Jenkinson and Johnny Clayton, who had previously collaborated on the artwork for Jenkinson's 1996 debut album as Squarepusher, Feed Me Weird Things. Considine described the album as jazz fusion influenced, characterising its contents as "lyrical, complicated keyboard riffs, dense, churning beats, nimble, melodic fretless bass – add in a saxophone, and you'd have the drum 'n' bass equivalent of Weather Report." Tom Jenkinson has stated that his music on Hard Normal Daddy was not influenced by jazz fusion but by funk-oriented music such as Herbie Hancock's Death Wish soundtrack and 1970s television themes from police and detective shows. Pitchfork 's Seth Colter Walls cited the album's musical style as an early example of the drill 'n' bass subgenre, described by the online music database AllMusic as a version of drum 'n' bass that warped "old midtempo beats and breaks into a frenzied, experimental potpourri of low-attention-span electronic music." īaltimore Sun critic J. Jenkinson eventually chose Warp as he was more interested in the label's music. Tom Jenkinson was offered to sign to Ninja Tune, Rephlex Records, R&S Records and Warp.
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